Cultural Appropriation vs. Inspiration

(This post & the one on Birdie’s blog are a dual effort and meant to be read together, so go check out her’s too!)

Via himitsuhana on flickr, all rights reserved.

So, a few days ago, Birdie and I were talking about the directions our styles are moving in (which seems to be a similar place!). I used the phrase “steampunk Norse shaman” & she used the phrase “future vintage Voodoo Queen”. This got me thinking about using different cultures as inspiration for fashion, and where we need to draw the line when it comes to that.

This is a recurring problem in fashion and one of my pet peeves. I’ll never forget reading a post (this was the last post I ever read on that blog!) where a non-native blogger gushed about how beautiful Navajo ceremonial dresses were and then said she’d love to own one and would pair it with moccasins for “that Indian look”. I don’t even think I need to snark on that, really.

So why don’t the phrases “Voodoo Queen” and “Norse shaman” raise my hackles the same way?

“Norse shaman” is easy. I don’t have a problem using that term because the majority of my ancestry is Scandinavian & I’m heathen*. So to draw inspiration from what I already consider parts of my culture seems perfectly natural.

But then, what is ‘culture’? The two definitions that are of importance here are:

5. the behaviors and beliefs characteristic of a particular social, ethnic, or age group; the youth culture; the drug culture.

6. Anthropology. the sum total of ways of living built up by a group of human beings and transmitted from one generation to another.

The first definition seems pretty similar to what I think of as a subculture, and the second is the most commonly referred to definition. In this case, I think there’s a bit of a blur – Christianity is so ingrained into American culture as a whole that to be not-Christian (and not just having a lack of Christianity, but having a different belief system/worldview entirely) constitutes such a large difference that I’d say it counts as a cultural difference.

“Voodoo Queen” is a bit more complicated. After thinking about it, the reason it doesn’t strike me as offensive is because it’s so fictionalized. I would hope most people would realize the myriad of differences between the sort of image that the phrase “Voodoo Queen” brings to mind, and an actual Voudou practitioner. One could argue that it being such a fictionalized stereotype makes it even more offensive (and it is important to note that the phrase has actually been used), but for some reason that’s not how it strikes me.

The line seems to be in using a phrase like “Voodoo Queen” (a stylized image based on a culture) as a jumping off point for inspiration, versus, say, going to a Voudou ritual and deciding that their sacred dress would be awesome to wear every day (cultural theft). One is okay, the other is definitely not.

But then, what about phrases that aren’t okay? “Tribal” has always annoyed me (as, hel-lo, it can apply to any culture pretty much ever), as has “African” (since, you know, it’s a continent full of many completely distinct countries & cultures – see this for more).

The conclusion I’ve come to is that it is possible to respectfully take inspiration from other cultures, as an informed consumer. This means:

  • be respectful. If something has a specific meaning (in a sacred or ritual context, for example), I would say it’s definitely off limits. Otherwise, & it’s always a little dangerous to say this!, but use your best judgement.
  • be informed. Don’t call something something that it isn’t, and try to know the inspiration of what you’re wearing.

I’d add that if you’re going to be buying something particular to a culture, you should be buying it direct from the source. The money goes back into the community and you’re supporting independent craftspeople, all at the same time.

Of course, I’m not an expert and I’d love to hear your take on things – what do you think? Where’s the line?

*”Heathen” here is used as an umbrella term for Northern/Germanic/Scandinavian paganism.

  • http://www.flickr.com/photos/adventures_in_mass_transit/ Adventures

    As a former American and new Canadian born and raised in North America, I question the validity of my own ancestry as being something I can claim for “validity” of cultural looks. I am a bastard and only know half of my ancestry anyhow, so I can’t be certain I *don’t* have a connection, but really I know I am part Italian and part Irish, but I have been to neither country and neither has any of my immediate or extended family once removed. People in both the US and Canada seem to make a big deal of where their great-grats came from, but I often wonder why since there is seldom much if any connection to those mother countries.

    I do wear a variety of traditional garments and traditionally inspired outfits from time to time and have recieved nothing but compliments and smiles from those who do have the close connection. Sometimes it is context, wearing a dirndl around Oktoberfest for example (a real one, not a Stag Shop model) or a traditional boiled wool jacket on a crisp fall day but mostly it is simply wearing things with care and respect. I would argue that most anything wore wearing is worth this though!
    .-= Adventures´s last blog ..Boogie woogie washer woman =-.

  • http://www.idiosyncraticstyle.com Kristen

    I tend to disagree in the sense that I think it is okay to draw inspiration from pretty much any source regardless of your age, race, religion, culture, etc… off what Adventures said, so many of us now really can’t pinpoint the exact ‘places’ we have come from and I don’t think we should limit ourselves to any ‘cultural’ label anyways.

    But, I strongly agree with you in the sense that I think if you are seeking inspiration from a source you are unfamiliar with, than it is your responsibility to educate yourself and present your inspiration with great respect for the source.

    In the end, I think it is really subjective because depending on the way the culturally influenced fashion is presented will shape how we respond to it. So i think it is not off-limits in general, but rather ‘a proceed with caution and care’ type thing.
    .-= Kristen´s last blog ..Kaitlyn’s Guide to a Fabulous Valentine’s Day =-.

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  • http://clandestinechic.com Sheena

    I think that there definitely is a difference between cultural appropriation and cultural inspiration. For those who dress a certain way because they are inspired, many times they feel a deep connection and they usually have a respect for the inspirational look. It’s not necessarily done to follow a trend, but because it’s a part of their sense of expression and how they want to communicate their appearance to the world. If I decide to start wearing traditional Navajo clothing, then I am wearing it because of my respect for the culture and because it deeply resonates within me.

    When people dress in traditional clothing of other cultures because it’s trendy, then I feel that’s when it can cross over into a line of not respecting the culture. If you don’t know the significance and meaning behind what you are wearing–and if it’s a designer piece, where and why the designer’s inspiration arose–then it’s just for the sake of adopting a look.

    I think the best thing about fashion is that it can be one of the best forms of self-expression. Sometimes, people can look right at what you are wearing and they understand what you are about. If you are inspired by a time period, books, art, or a culture, then you can dress in a way that conveys that and it’s perfectly fine.
    .-= Sheena´s last blog ..Channeling Corinne Bailey Rae =-.

  • http://www.wicked-whimsy.com Michelle

    Adventures & Kristen: I do agree with you in general; I think it bears explaining that a large part of heathenry is honoring your ancestors, which is where I think it comes into play for me. And on one side of the family, we have our ancestry traced really far back (my grandparents on my dad’s side are Mormons, which is how I know that, for example, this guy: http://en.wikipedia.org/wiki/Magnus_III_of_Norway is a great great grandpa WAY back).

    I don’t think it’s always a good reason, though. On my mom’s side I’m an eighth Native (we have no idea what tribe, long story), but I don’t think that would give me an excuse to walk around in anything resembling Native garb, since I don’t have any idea what tribe we are, and thus I know nothing of the culture, I wasn’t raised on a reservation (hell, I’ve never even been to one!), etc. In that case, I think it would be totally insensitive and asinine of me to be like “What? My great-grandma was Native! I can totally wear this!”.

  • http://www.innyvinny.com Alicia

    I think the line exists were someone decides not to at least investigate what is being appropriated and what it may mean to someone of that culture. There should be some background knowledge when dealing with something that could be taken as completely offensive if worn around an “appropriatee.”

  • http://www.bonne-vie.net Birdie

    You do have to do the investigating, like Alicia said – appropriation is more just “yoink! I’m using that and this and this other style too”. You’re not giving much thought to where it came from and why it’s culturally significant.
    .-= Birdie´s last blog ..Not too Shabby =-.

  • http://www.dishevelledstars.com Amanda

    I agree about the need to know and appreciate where different styles and symbols originate from – in fashion, tattoos, etc. Maybe I’m a snob, but it drives me crazy when people get or wear things just because “it looks cool.” One example that springs to mind is celtic knots, or even crosses, as students at high school where I work wear giant sparkly ones with no regard to the symbolic significance. Part of the beauty of clothing and other ornamentation is the story and meaning behind it, making it, essentially, three dimensional, and much more than a material item.
    .-= Amanda´s last blog ..I have an important meeting in like twenty minutes…. =-.

  • http://www.idiosyncraticstyle.com Kristen

    Michelle – I think it is awesome to honor your ancestry (and so cool that you can trace it back so far!)

    I just like to think of my ‘ancestors’ as any people in history that I feel a kinship to, regardless of my ‘bloodline’, you know? Maybe because we were only ever able to trace one side, my mother was adopted, but also she raised me to look at different cultures, religions, world histories and take into my heart the parts that I felt connected to somehow. I think it is something everyone should do at least a little bit and perhaps that ends up manifesting itself into your wardrobe…

    But again that brings us back to the need for the education and respect of it’s origins – i guess that is always the bottom line.

    PS. thanks for the post, Michelle, what a great topic… it has really got me thinking!!

  • http://www.gloriasjeans.com hannah elizabeth

    this is a well thought out topic – i always feel kind of strange about the word “tribal” because it’s sooo unspecific and some word are thrown around so much that they lose meaning… definitely a thought provoker!

  • http://www.styleamor.com Glendy

    I agree and if you’re planning to wear something from a specific culture, eg. an amazonian tribe then buy their hand made necklaces or bracelets as accents to your outfit but one cannot say I am wearing an “amazonian tribe” look. What really disturbed me last year was the use of “yellow face” by Karl Lagerfeld in his film Paris-Shanghai, so ridiculous! I was inspired this spring by early 20th century Chinese ad art and geisha images, that doesn’t mean I want to imitate these women and their culture but rather take inspiration from the color palette and accessories of the images. I loved reading your post darling :)

    Much love,
    Glendy

  • http://www.fabulouslybroke.com FB @ FabulouslyBroke.com

    For me, it depends. (Wrote the same comment on Birdie’s site)

    1. I wouldn’t touch or “bastardize” anything that is sacred to the culture.

    2. I wouldn’t appropriate or feel inspired by anything that I don’t understand.

    When the No Doubt fan phase was out of control and Gwen Stefani had that bindi in between her eyes, girls started wearing bindi stickers on their foreheads in school even though they had no idea what the significance of it was.

    3. I don’t really mind it when people use items like cheongsams (Chinese dresses) or Saris (Indian dresses), or take inspiration from the culture. But to literally wear the costume is another ballgame.

    Something has to change for me — it cannot be the exact replica, but maybe a DETAIL from the dresses can be taken such as the hook up by the neck for the cheongsam and the colours & beading on a sari.

    As Sheena said on Birdie’s blog, don’t make it a gimmick to sell your clothes or jump on the bandwagon.

    4. I don’t particularly like anything very racially sensitive such as blackface. It brings up a lot of hurt, hatred and resentment. Why would anyone do that, even just to make a political statement or cause trouble? I know it’s controversial but that is going too far. It becomes less about the clothes and more about the ideology, which is nice.. but make your demonstration in a different, more diplomatic way.

    Awesome posts. Great food for thought!
    .-= FB @ FabulouslyBroke.com´s last blog ..January 2010 Budget Roundup =-.

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