I know people get really touchy when you talk about their favorite artists, so let me say ahead of time: I like Gaiman’s work, for the most part. I think he’s a good writer. However, after doing a lot of thinking about it, I also think there are issues in some of his work that I haven’t seen explored anywhere and so I’d like to take that opportunity to put on a miner’s cap and explore them myself!
This will be a three part series, with spoilers for American Gods and Sandman throughout – so feel free to avoid if you haven’t read them. This post serves as an intro to the series (as you may have guessed by the title!). The next post will be about what I consider one of the main themes of American Gods – that there were no deities in America before non-indigenous people moved here/that America is a bad land for gods. The third post will deal with another theme of American Gods that’s also recurring in Sandman; that nobody worships the old forgotten gods any more and that not being worshiped makes them weak.
One of the reasons I want to talk about this is because Neil Gaiman has a huge pagan fanbase (well, given the size of the community, anyways – I’ve seen American Gods referred to as required pagan reading). Aside from the fact that he writes dark fantasy, I can’t really figure out why this is so. Non-Christian deities make frequent appearances in his work, but they are often not treated very respectfully. As far as I’m aware, the only times pagans have been depicted in his work weren’t exactly positive – there’s a character in Sandman who mentions she “dabbled” in Wicca, as opposed to another character that has real power and is taken seriously. There’s also a waitress in American Gods who identifies as pagan, but when asked who Eostre is, says she doesn’t do that Christian stuff. Which is a pretty insulting – knowing the pagan origins of Easter is a fairly 101 topic. When the topic came up in the comments of a recent Juggler post, another commenter, Hamish, said:
I’m stunned more of you aren’t offended. You guys do realize that the empty-headed Pagan woman at the cafe who’s never heard of Ostara was meant to stand in for *us,* right – to suggest we have no idea who the gods are, and that our worship is empty and useless?
Gaiman clearly at some point in the novel’s conception realized that the existence of modern Pagans put a crimp in his meticulously-built world. Rather than modify his premise, he tried a lazier approach as an author. By mocking us with an atrocious straw Pagan, he preserved the integrity of his world by attacking us.
Obviously, I can’t say that that’s exactly how it went down – but I think it’s an interesting thing to think about. Of course, Wednesday/Odin later reveals that the waitress literally killed a kitten because she wanted to “bury something”, so the waitress as an example of paganism is…not a great one.
So – now you’ve got an idea of what the next few posts will be like and what they’ll cover. Look out for the next installment later this week or next week. Hope you enjoy!




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